Carriage Trade

  • Market Forces

    Part I: Consuming Territories
    April 5 - May 18, 2008
    Michael Ashkin
    Betty Beaumont
    Gretchen Bender
    Louise Lawler
    Alex MacLean
    Diane Nerwen
    Zoë Sheehan Saldaña
    Heidi Schlatter
    Peter Scott
    Momoyo Torimitsu
    “We never know where the consumer is going to be at any point in time, so we have to find a way to be everywhere. Ubiquity is the new exclusivity.” Linda Kaplan Thaler, Kaplan Thaler Group, New York ad agency Market Forces addresses the euphoric consumer culture of the last decade that manifested itself in a seeming overflow of goods and services and an explosion of luxury housing development that now dominates the urban landscape. The term is derived from laissez-faire economic (...)

  • The Cult of Personality

    Portraits and mass culture
    February 28 - March 30, 2008
    Yasser Aggour
    Jennifer Dalton
    Vitaly Komar
    Sherrie Levine
    Paul McCarthy
    Muntadas and Reese
    Bill Owens
    Julia Wachtel
    Karen Yama
    “Someone said that Brecht wanted everybody to think alike. I want everybody to think alike. But Brecht wanted to do it through Communism, in a way. Russia is doing it under government. It’s happening here all by itself without being under a strict government; so if it’s working without trying, why can’t it work without being Communist? Everybody looks alike and acts alike, and we’re getting more and more that way.” Andy Warhol Unlike the crude forms of thought control and idolatry found in (...)

  • Out of Place

    Organized by Peter Scott
    UBS Art Gallery
    1285 Ave. of the Americas NY, New York
    Momenta Art, Brooklyn, NY
    April 7-June 17, 2005
    Mike Ashkin
    Beaumont
    Jennifer Bollande
    Anne Daems
    Dan Graham and Robin Hurst
    Cannon Hudson
    Craig Kalpakjian
    Tom Moore
    Louise Lawler
    Jeff Preiss
    James Mills
    Jon Naiman
    Rebecca Quaytman
    Heidi Schlatter
    Jude Tallichet
    Momoyo Torimisu
    Karen Yama
    Engaged in regular pursuits of work and entertainment in the highly stimulating environment of today’s city, our response to the urban landscape is generally one of developing habits and routines. Often lost underneath the traces of our paths, which become well worn with repeated use, is an awareness of the physical spaces whose function is of little relevance to our immediate needs or whose function of which remains unknown. In the ever-expanding cityscape, which perpetually yields to the (...)

  • POP Patriotism

    Momenta Art, Brooklyn, NY
    September 7 - October 8, 2002
    Kathe Burkhart
    Nancy Chunn
    Barbara Cliffe
    Jody Culkin
    Ken Freedamn
    Chris Hammerlein
    Komar and Melamid
    Ruth LIiberman and Andrew Weinstein
    David Opdyke
    Sante Scardillo
    Christy Rupp
    Thomas Sherrod
    Heidi Schlatter
    Michael Wilson
    Offering artifacts of popular culture placed alongside the work of artists skeptical of America’s renewed devotion to its flag, the exhibition POP Patriotism addresses the implications of this recent trend. The explosion of patriotic fervor that first swept across the country last fall and winter, seemingly justified by the trauma caused by what occurred in September, has a less than wholesome side that appears to have little to do with a simple pride in one’s nationality. Focusing on the (...)

  • NOBODIES HOME

    a group show concerned
    with living space and alienation
    curated by Peter Scott
    Momenta Art, Brooklyn
    March 21 - April 19, 1999
    Betty Beaumont
    Michelle Bertomen, David Boyle and Brooklyn Architects Collective
    Hermann Gabler
    Dan Graham
    Larry Krone
    Allan McCollum
    Donna Nield
    Mauricio Dias and Walter Reidweg
    Heidi Schlatter
    Peter Scott
    Day Gleason and Dennis Thomas
    Anton Vidokle
    Nobodies Home is a group exhibition concerned with living space and alienation. The exhibition takes its cue from the current celebration of "lifestyle culture" so prevalent in today’s news and entertainment media, where an endless parade of magazine and television spots seems to reduce the image of life to one of Martha Stewart’s hypnotic discourses on domesticity. With television news offering tips on which supermarkets to avoid, and newspapers offering lengthy articles on how to find the (...)